{"id":174,"date":"2025-12-30T09:14:48","date_gmt":"2025-12-30T09:14:48","guid":{"rendered":"http:\/\/www.ertanunal.com\/?p=174"},"modified":"2025-12-30T09:14:49","modified_gmt":"2025-12-30T09:14:49","slug":"karagoz-modernize-edilemez","status":"publish","type":"post","link":"http:\/\/www.ertanunal.com\/?p=174","title":{"rendered":"Karag\u00f6z Modernize Edilemez!"},"content":{"rendered":"\n

Yazan: Ertan \u00dcNAL<\/strong> 1 May\u0131s 1982<\/p>\n\n\n\n

<\/h3>\n\n\n\n

\u0130kinci Padi\u015fah Orhan d\u00f6neminden bu yana, y\u00fczy\u0131llard\u0131r saraylardan konaklara, kahvelerden \u00f6zel meclislere kadar oynat\u0131ld\u0131\u011f\u0131 hemen her yerde, \u00e7e\u015fitli olaylar kar\u015f\u0131s\u0131nda ince mizah anlay\u0131\u015f\u0131n\u0131 sergileyen, k\u00e2h d\u00fc\u015f\u00fcnd\u00fcren, g\u00fcld\u00fcren Karag\u00f6z unutulmu\u015flu\u011fun, ilgisizli\u011fin \u00fcz\u00fcnt\u00fcs\u00fc i\u00e7inde. \u015eimdi “Karag\u00f6z’\u00fcn hayal perdesi ha karard\u0131 ha kararacak. Ba\u015fta kendi, sonra Hacivat ve Tuzsuz Deli Bekir’ler, Alt\u0131 Kar\u0131\u015f Beberuhi’ler, Baba Himmet’ler \u00f6ks\u00fcz birer \u00e7ocuk gibi boyunlar\u0131n\u0131 b\u00fckm\u00fc\u015fler… Ve de bu vurdumduymazl\u0131k, b\u00f6yle s\u00fcr\u00fcp giderse, Karag\u00f6z \u00fcnl\u00fc tekerlemesini bu kez kendisi i\u00e7in s\u00f6yleyip hayal perdesini kapatacak:<\/p>\n\n\n\n

\n

“Y\u0131kt\u0131n perdeyi eyledin viran, varay\u0131m sahibine haber vereyim heman!”<\/strong><\/p>\n<\/blockquote>\n\n\n\n

Hen\u00fcz ortaokul s\u0131ralar\u0131nda, k\u00fc\u00e7\u00fcc\u00fck bir \u00f6\u011frenciyken Karag\u00f6z’\u00fcn renkli d\u00fcnyas\u0131na giren ve tam 75 y\u0131ldan beri bu ulusal g\u00f6lge oyunumuza emek veren Karag\u00f6z sanat\u0131n\u0131n en b\u00fcy\u00fck ustalar\u0131ndan Rag\u0131p Tu\u011ftekin<\/strong>, “\u0130lgisizlik y\u00fcz\u00fcnden bu g\u00fczel sanat\u0131m\u0131z yok olma tehlikesiyle kar\u015f\u0131 kar\u015f\u0131ya… En k\u0131sa s\u00fcrede Karag\u00f6z’\u00fc yeniden ihya etmedi\u011fimiz takdirde bu g\u00f6lge oyunumuz tarihle\u015fecek!” diyor.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Oysa bir zamanlar Karag\u00f6z, nas\u0131l da g\u00f6zdeydi? Bug\u00fcnk\u00fc gibi sinemalar\u0131n, tiyatrolar\u0131n, televizyonun olmad\u0131\u011f\u0131 d\u00f6nemlerde, \u00f6zellikle ramazanlarda halk\u0131n ba\u015fl\u0131ca e\u011flencelerinden biri de Karag\u00f6z’d\u00fc. Ramazan geceleri bamba\u015fka bir canl\u0131l\u0131\u011fa b\u00fcr\u00fcnen \u015eehzadeba\u015f\u0131’nda \u00fcnl\u00fc ustalar\u0131n oynatt\u0131\u011f\u0131 Karag\u00f6z’\u00fc herkes zevkle izler, oyunlar\u0131nda kendi ya\u015fant\u0131s\u0131ndan \u00f6rnekler bulurdu… T\u0131pk\u0131 meddah gibi, ortaoyunu gibi…<\/p>\n\n\n\n

Ya \u015fimdi? Yeni yeti\u015fen nesiller bu ulusal g\u00f6lge oyunumuza ancak ansiklopedilerde, kitap\u00e7\u0131larda rastl\u0131yor… Bu sanata g\u00f6n\u00fcl veren, kendisini adayan ustalar birer iki\u015fer sonsuzlu\u011fa g\u00f6\u00e7erken Karag\u00f6z de zaman\u0131n ak\u0131\u015f\u0131 i\u00e7inde giderek eriyor.<\/p>\n\n\n\n

<\/p>\n\n\n\n

\n\n\n\n

ORHAN D\u00d6NEM\u0130NDEN BU YANA KARAG\u00d6Z<\/strong><\/h3>\n\n\n\n

88 ya\u015f\u0131nda olmas\u0131na ra\u011fmen, Karag\u00f6z’\u00fc anlat\u0131rken bir gen\u00e7 zindeli\u011fiyle konu\u015fan, Karag\u00f6z sanat\u0131n\u0131n g\u00fcn\u00fcm\u00fczde ya\u015fayan son temsilcisi Rag\u0131p Tu\u011ftekin bu ulusal g\u00f6lge oyunumuzun do\u011fu\u015funu \u015f\u00f6yle anlatt\u0131:<\/p>\n\n\n\n

<\/p>\n\n\n\n

“Sizin de bildi\u011finiz gibi, elimizdeki belgelere g\u00f6re Karag\u00f6z, Orhan Bey d\u00f6neminde do\u011fmu\u015ftur. Karag\u00f6z’le Hac\u0131 Evhad (Hacivat) bu padi\u015fah\u0131n Bursa’da yapt\u0131rd\u0131\u011f\u0131 caminin in\u015faat\u0131nda \u00e7al\u0131\u015fan iki i\u015f\u00e7idir. Biri ta\u015f\u00e7\u0131, di\u011feri demirci ustas\u0131. Karag\u00f6z’le Hacivat \u00e7al\u0131\u015f\u0131rken aralar\u0131nda tuhaf tuhaf konu\u015fuyorlar, g\u00fcl\u00fc\u015f\u00fcyorlar, di\u011fer i\u015f\u00e7iler de onlara bak\u0131yor, onlar\u0131 dinliyor. Tabii i\u015f ilerlemiyor. Padi\u015fah bir g\u00fcn cami in\u015faat\u0131na nezaret eden, hem de nakka\u015fl\u0131\u011f\u0131n\u0131 yapan \u015eeyh K\u00fc\u015fteri<\/strong>‘ye ‘Ni\u00e7in bu in\u015faat ilerlemiyor?’ diye sorar. K\u00fc\u015fteri ‘Padi\u015fah\u0131m, burada Karag\u00f6z’le Hacivat isminde iki i\u015f\u00e7i var. Bunlar birbirleriyle konu\u015fuyorlar, g\u00f6r\u00fc\u015f\u00fcyorlar. Kendileri \u00e7al\u0131\u015f\u0131yor ama, di\u011fer i\u015f\u00e7iler onlara bak\u0131yor, onlar\u0131 dinliyor. \u0130\u015f bu y\u00fczden geri kal\u0131yor…’ diyecek olur.”<\/p>\n\n\n\n

<\/p>\n\n\n\n

Orhan Bey \u00e7ok k\u0131zar… Onun i\u00e7in \u00f6nemli olan caminin sa\u011fl\u0131\u011f\u0131nda bitmesidir. Bunun i\u00e7in “Vurun bu iki i\u015f\u00e7inin boynunu!” der. Emir hemen yerine getirilir. Getirilir ama i\u015f yine ilerlemez. Padi\u015fah, ikinci ziyaretinde bakar ki, buyru\u011funa ra\u011fmen i\u015fler yine geri kalm\u0131\u015f… Caminin bu gidi\u015fle bitece\u011fi yok. \u015eeyh K\u00fc\u015fteri’yi kar\u015f\u0131s\u0131na al\u0131p sebebini sorar.<\/p>\n\n\n\n

<\/p>\n\n\n\n

K\u00fc\u015fteri’nin verdi\u011fi cevap ise \u00e7ok ilgin\u00e7tir: \u2014 “Padi\u015fah\u0131m, burada \u00e7al\u0131\u015fan i\u015f\u00e7iler Karag\u00f6z’le Hacivat’\u0131 \u00e7ok severlerdi. Geceleri toplan\u0131p onlar\u0131 dinlerlerdi. B\u00f6ylece \u00e7al\u0131\u015fma kudretleri artard\u0131. Ama \u015fimdi onlar\u0131n \u00f6l\u00fcm\u00fcyle \u00e7ok m\u00fcteessir oldular.”<\/p>\n\n\n\n

<\/p>\n\n\n\n

Orhan Bey yapt\u0131\u011f\u0131 hatay\u0131 anlar. Ama art\u0131k \u00e7ok ge\u00e7tir. Bu y\u00fczden “Sen ne yap, et bunlar\u0131n hevesle \u015fu i\u015fe koyulmalar\u0131n\u0131 sa\u011fla!” demekten ba\u015fka s\u00f6yleyecek bir \u015fey bulamaz. Bu buyruk, Karag\u00f6z’\u00fcn do\u011fu\u015funu sa\u011flar. K\u00fc\u015fteri perde kurar, arkas\u0131na me\u015fale yakar. Bir rivayete g\u00f6re Karag\u00f6zle Hacivat tasviri yap\u0131p bir rivayete g\u00f6re de \u00e7ar\u0131klar\u0131n\u0131 al\u0131p perdenin arkas\u0131ndan i\u015f\u00e7ilere oynat\u0131r… Hayret! \u0130\u015f\u00e7ilere yeniden bir \u00e7al\u0131\u015fma \u015fevki gelmi\u015f, in\u015faat h\u0131zlanm\u0131\u015ft\u0131r!<\/p>\n\n\n\n

<\/p>\n\n\n\n

Padi\u015fah, \u00fc\u00e7\u00fcnc\u00fc ziyaretinde durumu g\u00f6rd\u00fc\u011f\u00fc zaman \u00e7ok memnun olur. Karag\u00f6z oyununu bizzat izledikten sonra da “Osmanl\u0131 Padi\u015fahl\u0131\u011f\u0131 il\u00e2nihaye s\u00fcrd\u00fc\u011f\u00fc takdirde, bunlar\u0131n oyunu yasak edilmesin” buyru\u011funu verir.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Karag\u00f6zc\u00fcler, \u0130ran’dan gelip Anadolu’ya yerle\u015fen ve “\u015eeyhlik” payesi verilmi\u015f olan \u015eeyh Mehmet K\u00fc\u015fteri’yi pirleri sayarlar, hatta Karag\u00f6z perdesine “\u015eeyh K\u00fc\u015fteri Meydan\u0131” derler. Bu zat\u0131n mezar\u0131 Bursa’dad\u0131r ve ta\u015f\u0131ndan 1339 y\u0131l\u0131nda, yani Orhan Bey zaman\u0131nda \u00f6ld\u00fc\u011f\u00fc anla\u015f\u0131lmaktad\u0131r.<\/p>\n\n\n\n

<\/p>\n\n\n\n

\n\n\n\n

USTANIN ANILARI VE SANATIN \u0130NCEL\u0130KLER\u0130<\/strong><\/h3>\n\n\n\n

Rag\u0131p Tu\u011ftekin: “Ben, II. Abd\u00fclhamit’in son d\u00f6nemlerine yeti\u015ftim. O devirde ortaoyunu, tiyatro yasak edilirdi, ama ata vasiyeti diye Karag\u00f6z’\u00fcn oynat\u0131lmas\u0131 yasaklanmazd\u0131” diyor.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Rag\u0131p Tu\u011ftekin, Karag\u00f6z’\u00fcn geli\u015fmesini ve en parlak \u00e7a\u011flar\u0131n\u0131 \u015f\u00f6yle anlatt\u0131: \u2014 “Padi\u015fah\u0131n bu buyru\u011fundan sonra Karag\u00f6z k\u0131sa zamanda halk aras\u0131nda yayg\u0131nla\u015fmaya ba\u015flam\u0131\u015f. Yaln\u0131z halk aras\u0131nda de\u011fil, padi\u015fahlar da bu g\u00f6lge oyununa ilgi g\u00f6stermi\u015fler. Bu arada sarayda, padi\u015fahlar\u0131n huzurunda Karag\u00f6z oynatabilecek de\u011ferde sanatk\u00e2rlar yeti\u015fmi\u015f. Bunlar\u0131n en \u00f6nemlileri IV. Murat’\u0131n karag\u00f6zc\u00fcs\u00fc Mehmet \u00c7elebi, III. Selim’in karag\u00f6zc\u00fcs\u00fc Kas\u0131mpa\u015fal\u0131 Haf\u0131z, II. Mahmut’un karag\u00f6zc\u00fcs\u00fc Sait Efendi… Asl\u0131nda, sarayda, padi\u015fah\u0131n huzurunda Karag\u00f6z oynatmak hi\u00e7 kolay bir i\u015f de\u011fil. En k\u00fc\u00e7\u00fck bir dil s\u00fcr\u00e7mesi, sanatk\u00e2r\u0131 g\u00fc\u00e7 durumda b\u0131rakabilir.”<\/p>\n\n\n\n

<\/p>\n\n\n\n

Y\u0131llarca Anadolu’nun \u00e7e\u015fitli yerlerinde nahiye m\u00fcd\u00fcrl\u00fc\u011f\u00fc yapan Karag\u00f6z’le hen\u00fcz k\u00fc\u00e7\u00fcc\u00fck bir \u00e7ocukken tan\u0131\u015fm\u0131\u015f. Beyaz\u0131t’ta kom\u015fular\u0131 Harbiye nezaretinde g\u00f6revli Tecelli Bey, bir gece aralar\u0131nda Ahmet Rasim, Mahmut Sad\u0131k ve Hasan Bedrettin bey gibi devrin \u00fcnl\u00fc kalem erbaplar\u0131n\u0131n da bulundu\u011fu toplulu\u011fa Karag\u00f6z oynat\u0131rken, k\u00fc\u00e7\u00fck Rag\u0131p ona yard\u0131mc\u0131 olmak istiyor ve hayal perdesinin arkas\u0131na ge\u00e7iyor. Ge\u00e7i\u015f o ge\u00e7i\u015f.<\/p>\n\n\n\n

Rag\u0131p Tu\u011ftekin Karag\u00f6z tasvirlerinin nas\u0131l yap\u0131ld\u0131\u011f\u0131n\u0131 sorduk… Kendisi son y\u0131llarda her biri 80-100 par\u00e7adan olu\u015fan sekiz karag\u00f6z koleksiyonu yapm\u0131\u015f, bunlar\u0131 ba\u015fta K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 olmak \u00fczere \u00e7e\u015fitli kurulu\u015flar alm\u0131\u015ft\u0131.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Tu\u011ftekin: “Karag\u00f6z tasvirleri deve derisinden yap\u0131l\u0131r” diye anlatmaya ba\u015flad\u0131. “Neden deve derisi diye soracaks\u0131n\u0131z. \u015eeffaf oldu\u011fu i\u00e7in. \u00d6nce f\u0131r\u00e7ayla deri temizlenir, camla p\u00fcrt\u00fckleri kaz\u0131n\u0131r. Daha sonra kal\u0131ba konulup belirli bir s\u00fcre bekletilir. Deri d\u00fcmd\u00fcz olduktan sonra kal\u0131plara g\u00f6re kesilir, aletlerle i\u015flenir. Eskiden deve derisini Bal\u0131kesir civar\u0131ndaki k\u00f6ylerden al\u0131rd\u0131k. \u015eimdi o da yok. Renkleri k\u00f6k boya ile sa\u011flard\u0131k. \u015eimdi k\u00f6k boya da bulunmuyor. Dikti\u011fi ba\u011f\u0131rsak kiri\u015fiyle dikerdik. Onu da bulamad\u0131\u011f\u0131m\u0131z i\u00e7in ‘kat-k\u00fct’lerden faydalan\u0131yoruz.”<\/p>\n\n\n\n

<\/p>\n\n\n\n

\n\n\n\n

KARAG\u00d6Z MODERNIZE ED\u0130LEMEZ M\u0130?<\/strong><\/h3>\n\n\n\n

Karag\u00f6z do\u011fdu\u011fu zaman, d\u00fcnya XIV. y\u00fczy\u0131l\u0131 ya\u015f\u0131yordu… Oysa bug\u00fcn XX. y\u00fczy\u0131l\u0131n son \u00e7eyre\u011fi i\u00e7inde, insano\u011flu’nun aya giderken d\u00fcnya g\u00f6r\u00fc\u015f\u00fc de tamamen de\u011fi\u015fti. Y\u00fczy\u0131llar\u0131n hayal oyunu Karag\u00f6z de bu geli\u015fmeye ayak uydurup, k\u0131yafetinden diline kadar modernize edilse halk\u0131n ilgisini \u00e7ekmez miydi?<\/p>\n\n\n\n

<\/p>\n\n\n\n

\u2014 “Hay\u0131r<\/strong>” diye cevaplad\u0131 bu soruyu Rag\u0131p Tu\u011ftekin. “Karag\u00f6z’\u00fcn modernize edilmesine taraftar de\u011filim. \u00c7\u00fcnk\u00fc bozulur. Bir defa oyun metni de\u011fi\u015fmez. \u00c7\u00fcnk\u00fc kar\u015f\u0131l\u0131kl\u0131 yanl\u0131\u015f anlamaya dayan\u0131r. Kelimeleri de\u011fi\u015ftirirseniz Karag\u00f6zle Hacivat muhaveresi olmaz olsa olsa garip bir tiyatro olur. K\u0131yafetleri de\u011fi\u015femez, \u00e7\u00fcnk\u00fc setre pantolon giydirip Musevi taklidi yapt\u0131ramazs\u0131n. Bizde Rumelili var, orada ne giyiliyorsa burada da onu giyecek. Karadenizli memleketinde ‘z\u0131pka’ denilen elbiseyi giyer. Oyunda da onu giyer. Karag\u00f6z’\u00fc ya\u015fatmak istiyorsak, eski haliyle ya\u015far. Karag\u00f6z blucin giyemez, olanak molanak laf\u0131n\u0131 kullanamaz. Kullan\u0131rsa Karag\u00f6z Karag\u00f6z olmaktan \u00e7\u0131kar…”<\/p>\n\n\n\n

<\/p>\n\n\n\n

Rag\u0131p Tu\u011ftekin’in S\u00f6z\u00fc:<\/strong><\/p>\n\n\n\n

\n

“Ne konu\u015furken kulland\u0131\u011f\u0131 kelimeler de\u011fi\u015ftirilir, ne de k\u0131l\u0131k k\u0131yafeti… Karag\u00f6z blucin giyemez! Giyerse Karag\u00f6z olmaktan \u00e7\u0131kar…”<\/p>\n<\/blockquote>\n\n\n\n

G\u00f6rsel Alt\u0131 Yaz\u0131lar\u0131:<\/strong><\/p>\n\n\n\n

    \n
  • Rag\u0131p Tu\u011ftekin:<\/strong> “Yak\u0131n zamana kadar deve derisini Bal\u0131kesir’e yak\u0131n k\u00f6ylerden bulurduk. \u015eimdi bulamad\u0131\u011f\u0131m\u0131z gibi, k\u00f6k boyalar da ortal\u0131ktan yok oldu.” diyor.<\/li>\n\n\n\n
  • Geleneksel Tipler:<\/strong> Son y\u0131llarda Yunanl\u0131lar\u0131n Karag\u00f6z’e sahip \u00e7\u0131kmalar\u0131, tipleri de\u011fi\u015ftirerek kendilerine mal etmek istemeleri ger\u00e7ekten \u00fcz\u00fcc\u00fcd\u00fcr.<\/li>\n\n\n\n
  • <\/li>\n<\/ul>\n\n\n\n

    YILDIZ YER\u0130NE HAVA, KIZ YER\u0130NE TAVA…<\/strong> II. Abd\u00fclhamit d\u00f6neminde, bir g\u00fcn tan\u0131nm\u0131\u015f karag\u00f6zc\u00fclerden Mehmet Efendi’ye hayal oynatmas\u0131 irade tebli\u011f olunmu\u015ftu. Mehmet Efendi devam\u0131n\u0131 \u015f\u00f6yle anlat\u0131yor: “Perdeyi kurdum, \u015fark\u0131ya ba\u015flad\u0131k: ‘Aya bak, y\u0131ld\u0131za bak, \u015fu kar\u015f\u0131ki k\u0131za bak’ diye okuyacakt\u0131k. Tam ‘Aya bak’ dedi\u011fimiz zaman bir de perdenin sa\u011f taraf\u0131ndan bakt\u0131m ki Sultan Hamit orada de\u011fil mi! Bir anda, hat\u0131r\u0131ma ‘y\u0131ld\u0131z’ kelimesinin b\u00f6yle bir yerde a\u011f\u0131za al\u0131nmas\u0131ndan \u00f6t\u00fcr\u00fc u\u011frayaca\u011f\u0131m ak\u0131bet geldi ve ‘Aya bak, havaya bak, kar\u015f\u0131ki tavaya bak’ dedim ve i\u015fin i\u00e7inden s\u0131yr\u0131ld\u0131m!”<\/p>\n","protected":false},"excerpt":{"rendered":"

    Yazan: Ertan \u00dcNAL 1 May\u0131s 1982 \u0130kinci Padi\u015fah Orhan d\u00f6neminden bu yana, y\u00fczy\u0131llard\u0131r saraylardan konaklara, kahvelerden \u00f6zel meclislere kadar oynat\u0131ld\u0131\u011f\u0131 hemen her yerde, \u00e7e\u015fitli olaylar kar\u015f\u0131s\u0131nda ince mizah anlay\u0131\u015f\u0131n\u0131 sergileyen, k\u00e2h d\u00fc\u015f\u00fcnd\u00fcren, g\u00fcld\u00fcren Karag\u00f6z unutulmu\u015flu\u011fun, ilgisizli\u011fin \u00fcz\u00fcnt\u00fcs\u00fc i\u00e7inde. \u015eimdi “Karag\u00f6z’\u00fcn hayal perdesi ha karard\u0131 ha kararacak. Ba\u015fta kendi, sonra Hacivat ve Tuzsuz Deli Bekir’ler, Alt\u0131 […]<\/p>\n","protected":false},"author":1,"featured_media":175,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_regular_price":[],"currency_symbol":[],"footnotes":""},"categories":[1],"tags":[],"class_list":["post-174","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"post_slider_layout_featured_media_urls":{"thumbnail":["http:\/\/www.ertanunal.com\/wp-content\/uploads\/2025\/12\/20251122_142125-150x150.jpg",150,150,true],"post_slider_layout_landscape_large":["http:\/\/www.ertanunal.com\/wp-content\/uploads\/2025\/12\/20251122_142125.jpg",434,576,false],"post_slider_layout_portrait_large":["http:\/\/www.ertanunal.com\/wp-content\/uploads\/2025\/12\/20251122_142125.jpg",434,576,false],"post_slider_layout_square_large":["http:\/\/www.ertanunal.com\/wp-content\/uploads\/2025\/12\/20251122_142125.jpg",434,576,false],"post_slider_layout_landscape":["http:\/\/www.ertanunal.com\/wp-content\/uploads\/2025\/12\/20251122_142125-434x400.jpg",434,400,true],"post_slider_layout_portrait":["http:\/\/www.ertanunal.com\/wp-content\/uploads\/2025\/12\/20251122_142125.jpg",434,576,false],"post_slider_layout_square":["http:\/\/www.ertanunal.com\/wp-content\/uploads\/2025\/12\/20251122_142125.jpg",434,576,false],"full":["http:\/\/www.ertanunal.com\/wp-content\/uploads\/2025\/12\/20251122_142125.jpg",434,576,false]},"_links":{"self":[{"href":"http:\/\/www.ertanunal.com\/index.php?rest_route=\/wp\/v2\/posts\/174","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.ertanunal.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.ertanunal.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.ertanunal.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.ertanunal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=174"}],"version-history":[{"count":1,"href":"http:\/\/www.ertanunal.com\/index.php?rest_route=\/wp\/v2\/posts\/174\/revisions"}],"predecessor-version":[{"id":176,"href":"http:\/\/www.ertanunal.com\/index.php?rest_route=\/wp\/v2\/posts\/174\/revisions\/176"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.ertanunal.com\/index.php?rest_route=\/wp\/v2\/media\/175"}],"wp:attachment":[{"href":"http:\/\/www.ertanunal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=174"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.ertanunal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=174"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.ertanunal.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=174"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}